Freestanding sculptures form the longest-running body of the practice.

Developed over more than fifteen years, these autonomous works occupy space independently, engaging gravity, circulation, and proportion as primary conditions. Form, color, and material are treated as structural elements rather than surface effects, shaping how the work is experienced in relation to its surroundings.

Freestanding sculptures are installed in architectural interiors, landscapes, and public or semi-public settings and are produced as unique works or site-responsive commissions.