This body of work examines the dynamic interplay between geometric rigor and organic indeterminacy, as well as the tension between the palpable weight of material and the perceptual suggestion of weightlessness. Informed by the formal and conceptual legacies of assemblage, the process is grounded in improvisation—a method that foregrounds contingency, accident, and the unpredictable rhythms of both human and natural expression.

A central aim of the work is to cultivate the sensation that the viewer has encountered an object in its “natural” state: untouched, uncomposed, and seemingly incidental. This cultivated spontaneity points to the ontological potency of the found object, whose authority derives from its resistance to authorship and its capacity to feel both discovered and inevitable. The work ultimately engages the poetics of chance encounter, pursuing a sense of purity that arises not from refinement, but from the appearance of unmediated presence.